"Western guy goes finding love in Asia" doramas?
"Western guy goes finding love in Asia" doramas?
Isn't that the ideal dorama for some of us here?
It could be something as cool as Densha Otoko .
Maybe the stereotypical: western otaku goes finding love in Japan or something more original. Is there anything like this out there?
Or just a dorama that handles the subject objectively from the western and asian point of view? (doesn't have to be otaku of course lol)
I want to see one!! ^^
It could be something as cool as Densha Otoko .
Maybe the stereotypical: western otaku goes finding love in Japan or something more original. Is there anything like this out there?
Or just a dorama that handles the subject objectively from the western and asian point of view? (doesn't have to be otaku of course lol)
I want to see one!! ^^
When I read your scenario idea, the first dude to come to mind is Daniel Kahl, the crazed gaijin you see on Burari Tochu Gesha no Tabi. He would be PERFECT to play to part... At the end of the drama, the woman will totally fall in love with him because of his Yamagata-ben.
[img]http://www.domos.jp/domos/profile/img/dani2.jpg[/img]
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[img]http://www.domos.jp/domos/profile/img/dani2.jpg[/img]
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A westernXeastern drama would be interesting, a scripter could play on the difficulties for the western guy to adapt himself to the japanese culture. Then, he meets a japanese girl, fall in love with her despite the language barrier... ok nvm, it sounds too cliche, but still a WesternXeastern drama would be nice
Something similar to this happens in the Japanese asadora Sakura. The girl is a Honolulu-born Japanese, and she is engaged to a haole man (what we call white people in Hawaii), also from Honolulu. She soon leaves for Japan to teach ESL. And the story then flows from there. Without giving away any spoilers, it is a very good story, and the Japanese viewers took it well.Sakado wrote:A westernXeastern drama would be interesting, a scripter could play on the difficulties for the western guy to adapt himself to the japanese culture. Then, he meets a japanese girl, fall in love with her despite the language barrier... ok nvm, it sounds too cliche, but still a WesternXeastern drama would be nice
http://wiki.d-addicts.com/Sakura
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How is the dialouge? I find when there are white people in japanese dramas, they talk in this unnatural way almost like they are in the english teaching videos. (we used these videos to show examples, and people TALKED LIKE THIS in a very formal unnatural manor.)groink wrote:Something similar to this happens in the Japanese asadora Sakura. The girl is a Honolulu-born Japanese, and she is engaged to a haole man (what we call white people in Hawaii), also from Honolulu. She soon leaves for Japan to teach ESL. And the story then flows from there. Without giving away any spoilers, it is a very good story, and the Japanese viewers took it well.Sakado wrote:A westernXeastern drama would be interesting, a scripter could play on the difficulties for the western guy to adapt himself to the japanese culture. Then, he meets a japanese girl, fall in love with her despite the language barrier... ok nvm, it sounds too cliche, but still a WesternXeastern drama would be nice
http://wiki.d-addicts.com/Sakura
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thanks,
As a normal, red-blooded woman, I find the prospect of some ugly western guy trying to get with an eastern woman quite boring. I'd much rather watch a good looking Japanese guy taking up with a nice English woman like me.....Think I'll hold auditions for Sorimachi, Kimutaku, Takenouchi, oh yeah, and half a dozen or so more.....Now THAT'S what I call entertainment!!!!
And yes, I've noticed how every westerner on a dorama talks in the most stilted, almost half-witted way. So if you had a dorama with a western guy in it, wouldn't he end up sounding like Forest Gump? Doesn't grab you and make you want to watch, does it?
And yes, I've noticed how every westerner on a dorama talks in the most stilted, almost half-witted way. So if you had a dorama with a western guy in it, wouldn't he end up sounding like Forest Gump? Doesn't grab you and make you want to watch, does it?
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Um gozen you dont speak japanese, how would you know that they dont sound the same way?
Anyway I dont think it would be a good idea. Remember what happened with "the last samurai"? I mean isnt it bad enough that Tom Cruise has every american woman in love with him? Why does he have to start going all international for? (I hate that guy lol.)
Anyway I dont think it would be a good idea. Remember what happened with "the last samurai"? I mean isnt it bad enough that Tom Cruise has every american woman in love with him? Why does he have to start going all international for? (I hate that guy lol.)
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they speak english generally. and you can tell....theres this stilted very wooden syllable by syllable speach, not a nice flowing one...kotaeshiranaihito wrote:Um gozen you dont speak japanese, how would you know that they dont sound the same way?
Anyway I dont think it would be a good idea. Remember what happened with "the last samurai"? I mean isnt it bad enough that Tom Cruise has every american woman in love with him? Why does he have to start going all international for? (I hate that guy lol.)
Yes, should have been more specific. I mean westerners speaking English, they never, ever speak it normally, but slowly, enunciating every syllable. I haven't come across any westerners speaking Japanese in a drama yet, just English! The idea of Rain Man finding love ......not my cup of tea, no offence!
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According to my friend, who is currently living in Japan, Caucasian manxJapanese woman relationships really aren't all that uncommon. What you're harder-pressed to find is a Caucasian womanxJapanese man relationship [dammit T_T]. I think a drama based on the latter scenario would probably be much more interesting as a result, especially if the gaijin spoke some Japanese and didn't play up to the whole 'baka no gaijin' stereotype.
I dunno. I vaguely recall someone mentioning awhile back about a Cacausian manxJapanese woman drama, but the man spoke absolutely horrific Japanese and his English was stilted as well. A gaijin speaking naturally like the female teacher in the Kmovie Please Teach Me English would be infinitely preferable.
I personally like the idea of an WesternxEastern drama, but I don't know how well it would really play out..
I dunno. I vaguely recall someone mentioning awhile back about a Cacausian manxJapanese woman drama, but the man spoke absolutely horrific Japanese and his English was stilted as well. A gaijin speaking naturally like the female teacher in the Kmovie Please Teach Me English would be infinitely preferable.
I personally like the idea of an WesternxEastern drama, but I don't know how well it would really play out..
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That's fine for extras, but what about when you're casting a leading role? I'm sure there are Caucasian people in Japan with acting experience.. If worse comes to worse, they could always try scouting Hollywood for people who wouldn't mind going halfway across the world for a potential acting job. I know quite a few people in the latter category.
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What about this scenario?
European/American guy grew up playing RPGs, which automaticly made him watch anime in his teens and ultimately study the Japanese language. In his early twenties he discovers dorama, and deciedes to go to Japan and actually live the life of Densha Otoko, Momo and so forth. However...
Once he gets there nothing is as he expected. He spend most of his vacation getting rejected by girls - obviously it starts out as a comedy. The country and culture he loved so much and has devoted his life too rejects him. He has nothing to live for. His only chance to get contact with girls is to grope them in trains, and later rape them like a "real otaku" (Tsutomu Miyazaki).
He gets caught, jailed and he kills himself in pirosn.
The end.
What do you think?
European/American guy grew up playing RPGs, which automaticly made him watch anime in his teens and ultimately study the Japanese language. In his early twenties he discovers dorama, and deciedes to go to Japan and actually live the life of Densha Otoko, Momo and so forth. However...
Once he gets there nothing is as he expected. He spend most of his vacation getting rejected by girls - obviously it starts out as a comedy. The country and culture he loved so much and has devoted his life too rejects him. He has nothing to live for. His only chance to get contact with girls is to grope them in trains, and later rape them like a "real otaku" (Tsutomu Miyazaki).
He gets caught, jailed and he kills himself in pirosn.
The end.
What do you think?
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http://www.jamco.or.jp/2004_symposium/en/yano/doink-chan wrote:Didn't groink mention on one old thread that when J-drama casters are looking for a Western extra, they just scout gaijin from U.S. embassies and such that don't have much acting experience? That probably explains the doinky acting from many of them...
That LOOOOOOOOOOOOOOOOOOONG article explains the entire process of selecting the cast for Sakura, along with some really interesting information about Japanese Americans, how the Japanese view them, and such. Yes, the U.S. embassies are one of those great sources. Also, as you'll see in that article, NHK makes contact with the JET program whenever they need people already living in Japan that can speak English. One very recent experience of gaijinism is Kaze no Haruka, where Sarumaru-san introduces Haruka to an American businessman stationed in London. Not only is the acting corny on the part of the gaijin, but the the dialog itself is somewhat strange. Very hard for me to describe. Maybe I'll MP3 the clip.
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Came up with a better ending! A Twist!Densha Otoko wrote:What about this scenario?
European/American guy grew up playing RPGs, which automaticly made him watch anime in his teens and ultimately study the Japanese language. In his early twenties he discovers dorama, and deciedes to go to Japan and actually live the life of Densha Otoko, Momo and so forth. However...
Once he gets there nothing is as he expected. He spend most of his vacation getting rejected by girls - obviously it starts out as a comedy. The country and culture he loved so much and has devoted his life too rejects him. He has nothing to live for. His only chance to get contact with girls is to grope them in trains, and later rape them like a "real otaku" (Tsutomu Miyazaki).
He gets caught, jailed and he kills himself in pirosn.
The end.
What do you think?
Before heading home he wants to take advantage of a girl, and calls a schoolgirl for a bit of compensated dating. They end up in a love hotel, and right before he rape and kill her, none other than his hero Great Teacher Onizuka shows up, and accidentally kills him while protecting his beloved student.
How cool is that?
Best ever cameo.
Awesome xD. And maybe have Densha and Hermes in the train when he's groping girls. Densha will try to stop himDensha Otoko wrote:Came up with a better ending! A Twist!
Before heading home he wants to take advantage of a girl, and calls a schoolgirl for a bit of compensated dating. They end up in a love hotel, and right before he rape and kill her, none other than his hero Great Teacher Onizuka shows up, and accidentally kills him while protecting his beloved student.
How cool is that?
Best ever cameo.
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Hmmmmmmmm, depends is it the wimpy densha from the drama or the strong densha from the movie?zutsuu wrote:Awesome xD. And maybe have Densha and Hermes in the train when he's groping girls. Densha will try to stop himDensha Otoko wrote:Came up with a better ending! A Twist!
Before heading home he wants to take advantage of a girl, and calls a schoolgirl for a bit of compensated dating. They end up in a love hotel, and right before he rape and kill her, none other than his hero Great Teacher Onizuka shows up, and accidentally kills him while protecting his beloved student.
How cool is that?
Best ever cameo.
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The movie/dorama would most deffinately need a nude-scene with Ito Misaki. Better yet, Ito and Yukie Nakama making love. That would be best ever scene in any movire ever.kotaeshiranaihito wrote:I don't know, I doubt the wimpy one would be able to stand up to him. He'd probably see him and say "OMG a westerner! HE'S GOING TO EAT OUR CHILDREN!" and run or something.
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Honestly I think there are many good western male drama actors in the USA. You just see the Japanese actors as better because you don't understand the language, and because their style is different for you.
If you talk to real japanese people in Japan they'll tell you that most of the idols people love here are not such great actors as you think, but are exactly like some of the american actors/idols (chad michael murray, Keano, welling, the list goes on).
If you talk to real japanese people in Japan they'll tell you that most of the idols people love here are not such great actors as you think, but are exactly like some of the american actors/idols (chad michael murray, Keano, welling, the list goes on).
Well, very true. However, this does bring up one idea. And that is the power of the fanboy/fangirl. They are popular regardless of their talent level. Like we've mentioned in other topics, likeability is more important than the screenplay.Thuan wrote:I doubt that one needs to understand Japanese to realize that Fukada Kyoko is a horrible actress. Or Ueto Aya. Or Ishihara Satomi.
This is a casting nightmare. Here's the issue: you bring in a gaijin. No one is going to recognize the gaijin, so already the rating points drop down to under 10 points. The gaijin has no association with a talent agency, an entity the TV networks heavily depend on for screening of the artists. So the TV network must take it upon itself (very rare step) to find the gaijin that will fit the role. It'll end up casting some blonde male who resides in Japan and understands both Japanese and English, with no previous acting experience. That's why I made the joke about Daniel Kahl earlier: He's well established in Japan, he's recognizable because of his tabi shows, speaks fluent Japanese, and is associated with a talent agency.
Another problem is matching up a Japanese female with the gaijin. I GUARANTEE you that whoever the talent agency assigns for this gig, her numbers will DROP. I'd be suprised if a talent agency will even work with a TV network on this type of project. Her romance with a gaijin will not be popular among both the female and male viewers. This was already a stretch when they did this with Won Bin and Fukada Kyoko, but at least Won Bin was already a name among the Korean fans in Japan. Matching any female artist with a gaijin in a romance role will be suicide for her career.
That's my perspective on all this...
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LMAO! You misunderstood me.. I admire many Western actors and actresses. However, I would really prefer them not to break into Japanese movies/dramas as a whole. The same goes for Eastern actors and actresses breaking into Western movies. Opinions will always be coloured on both sides because the foreign star is 'exotic.' 'Ooooooohhh, they're exotic, how scintillating! Let's cast them in as many movies/shows as we can, to show how "in" we are with culture-crossing.'Honestly I think there are many good western male drama actors in the USA. You just see the Japanese actors as better because you don't understand the language, and because their style is different for you.
If you talk to real japanese people in Japan they'll tell you that most of the idols people love here are not such great actors as you think, but are exactly like some of the american actors/idols (chad michael murray, Keano, welling, the list goes on).
I agree about Fukada and Ueto [I'm not familiar with Ishihara, so I'll reserve judgement] being poor actresses. While I admit that I am somewhat biased towards Japanese celebrities simply because the entire culture fascinates me, I'm also mature enough to realize this and to be able to step back and look at things from another point of view. I enjoy some crappy Japanese actors the same way that I enjoy some crappy Western actors. [Just try to convince me that Nicholas Cage is a good actor. I love him all the same, and I adore watching him act, but he's incredibly awful at it.]
Aaaaaaaaaannnnd that's my opinion. I'm off to waste my braincells elsewhere.
it does seem perfectly acceptable for the japanese/korean men to sleep with white women in dramas however... as long as they don't make any type of commitment.
i've seen plenty of dramas where the playboy will go overseas and be seen with white girls, but he has no problem ditching them in about 30 seconds when his so-called 'true love' walks by.
there is an westerner called Daniel Henney who had a major role in My Lovely Kim Sam Soon, but he does look half Korean.
i've seen plenty of dramas where the playboy will go overseas and be seen with white girls, but he has no problem ditching them in about 30 seconds when his so-called 'true love' walks by.
there is an westerner called Daniel Henney who had a major role in My Lovely Kim Sam Soon, but he does look half Korean.
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Movie
I think it could work if they used someone who was a half or a non-Japanese person who grew up in Japan. That'd take care of the worries about them talking in stilted Japanese. There are many idols right now who are half-Japanese but doesn't necessarily look Japanese, such as Wentz and Becky (though I'm not saying they'd be good to be in a movie like this! They're just examples ^^). But then the problem would become the actors/actresses not being able to speak fluent English...
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